This Archived Feature Article is taken from the October 2000 Issue #233

It’s no wonder why Japan’s greatest free thinker would be misunderstood. Japanese society, which is renowned for being a collective society, promote s a conservative approach to every aspect of life which allows little opportunity for innovation , creativity and individuality. Research has shown that Japanese children are strong in areas that require right-brain activity. However, the social structure of the nation and education system leave little room for creativity and children are forced from a young age to learn through memorization relying on the left brain’s strengths and denying the right brain the opportunity to exercise its tremendous power. This is definitely a society that hammers down any nail that sticks up. Dr. NakaMats has chosen to be the nail that sticks up and refuses to be hammered down. Like Thomas Edison and other great inventors of the past, NakaMats is misunderstood. His search for the scientific truth and willingness to go beyond the conceptual boundaries of society have left him as a target for criticism. His accomplishments are often overlooked and society focuses on his unique lifestyle and somewhat eccentric personality.

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This Archived Feature Article is taken from the Fall 2002 Issue #245

Araki, the internationally acclaimed photographer, the Lord of the Lens, or however you want to refer to him is known throughout Japan and beyond as a progressive artist that borders the edge of morality and skirts the edge of scandal through his provocative and erotic photographs. A master of his art, he expresses not only himself through photography, but the essence of Japanese culture. Japan’s sexual obsessions date back as far as 660 BC and are heavily documented throughout 8th century Japanese mythology and 20th century folktales. Throughout history Japanese women have often been powerless victims of visual violation, and Japanese mythology shows there has always been an obsession for men to peek whenever the opportunity arises. Araki is not a progressive pioneer, but rather an embodiment of Japanese tradition, and not only does he peek at every opportunity, but he captures the moment with the snap of his shutter to share with the rest of the world. The work of Araki personifies the desire for self-expression restrained by the laws of convention that permeate modern Japanese society. Through his never ending fight to evade control and censorship, Araki loosens the shackles that convention has bound him with and provides a glimmer of hope to the people of a society that oppresses individualism and self-expression.

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