Japan and Globalization

Japan and Globalization
English: The Global Language of Business

Interview with Yukuo Takenaka

TJ: How important is it for Japan’s future that Japanese people learn to communicate in English?
TAKENAKA: Extremely important. As the Japanese birth rate is declining and the aging population is increasing, Japan cannot rely on domestic business alone in this shrinking market. Japanese companies must go outside and increase business on a global basis. In business and in most professions, English has become the preferred global language. Chances are that if you speak English, you will be able to find someone in any country who can communicate in English.

Language is a tool for communication. Japan’s problem is that they teach English not for the purpose of using the language as a communicative tool, but for the purpose of passing exams. Learning how to communicate conversationally in English is imperative. I believe the greatest benefit you will gain by learning English is the ability to communicate face-to-face. It is acceptable if you speak broken English, as long as you get the message across. With the current Japanese English education system, they may learn some fundamentals but on average they cannot communicate effectively.

TJ: How important is globalization?
TAKENAKA: Every country needs globalization. The best example of a country that has isolated itself is North Korea. People are starving. I am certain that if North Korea opens up, their lives will improve immeasurably. Why is China better off today than 30 or 40 years ago? Because they have become a part of the global business community. Japan recognized that they greatly improved after opening up the country as compared to the Tokugawa period of isolation.

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In Memoriam: Nagisa Oshima

How a studio trained director quit the system to go independent and become one of the most influential filmmakers in Japanese history.

NAGISA Oshima, one of Japan’s most influential and controversial film directors, died January 15 in a hospital near Tokyo at the age of 80. Several years prior I attended a few screenings of his work at a Los Angeles County Museum of Art’s retrospective, the first showing of his films in North America in over two decades. It was during the “In the Realm of Oshima” retrospective that I discovered the genius of Ôshima, a genius to be honored with his passing.

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