Longing for Orihime

Longing for Orihime

The Komachi Odori of Nishijin and the Living Memory of a Weaving Town

The act of people gathering to dance in a crowd has, in every age, been inseparable from the land and from the memory of the communities that live upon it. What runs beneath Japan’s folk performing arts is above all an impulse: to move the body together within a single ring in order to ward off calamity, to pray for abundance, to send off the dead, and to let the living confirm one another’s presence. The most resplendent crystallization of that impulse was the furyū dance. In Kyoto’s Nishijin, that spirit lives on in a single delicate blossom — the Komachi odori, danced by girls in Genroku costume around the great Tanabata bamboo.

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Bandura

Bandura

To Hold History in the Body

The bandura is a Ukrainian folk instrument. It has a pear-shaped resonating body and a short neck, and modern concert models carry 55 to 65 strings. It has no frets; the open strings are plucked like a harp’s. Its clear, crystalline tone blends naturally with the human voice, and singing to one’s own accompaniment has always been the instrument’s essential form. Photographer Tomohiro Oshima documents Oksana Stepaniuk, a refugee from Ukraine, playing the bandura in Japan — and traces the instrument back to the murdered oral historians who once carried a nation’s memory in their bodies.

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Japanese Gardens Go Global

By Misako Ito, Japan Representative & Executive Director of Portland Japanese Garden and Japan Institute

Do you know how many Japanese gardens there are in North America today?” When this question was posed to me by Stephen Bloom, it was so abrupt that I had no way to answer it. I met Steve about 16 years ago, while I was working as the director of the Japan Information and Culture Center at the Embassy of Japan in Washington, D.C. It was shortly after Steve had left his position at the Honolulu Symphony Orchestra in Hawaii to become CEO of Portland Japanese Garden in Oregon.

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Akiko Yano

A Life in Jazz, Pop, and Film

Tracing the Creative Journey of a Japanese Music Pioneer

Akiko Yano, a pop and jazz singer, is a major talent and influence in the Japanese music industry. She has released 50 albums and collaborated with musicians like Hiromi Uehara, Rei Harakami, Pat Metheny, Thomas Dolby, Swing Out Sister, Little Feat and the Yellow Magic Orchestra (YMO). She has also collaborated as a composer and voice actor with numerous film directors, most notably the anime legend Hayao Miyazaki of Studio Ghibli. Yano’s music is known for its whimsical, mischievous touch and innovations. Attending an Akiko Yano concert live is a transformative experience, inspiring audiences with joy and admiration to also express themselves as raw and authentically as she does. Formerly married to the late globally acclaimed musician Ryuichi Sakamoto, a pioneering member of YMO, she continues to inspire both the Japanese and American music industries today with both her talent and melodies. In 2025, Akiko’s live album with Hiromi, Step Into Paradise, won the Japan Gold Disk Award for Jazz Album of the Year. Tokyo Journal’s Editor-in-Chief, Anthony Al-Jamie, met with Akiko in Los Angeles to discuss her career.

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Shingen-ko Festival

Photographs courtesy of Shingen-ko Festival Executive Planning Committee

Heroes of the Sengoku Era Revived

Shingenko2The Shingen-ko Festival has been held in Kōfu, the capital of Yamanashi Prefecture, every April since 1970 to commemorate the legacy of Takeda Shingen, a renowned general of the Warring States period of the 15th and 16th centuries. While this event is relatively new compared to other Japanese festivals, it has gained support from local residents and gradually expanded in size. The festival was briefly postponed because of the COVID-19 pandemic, but it returned in full swing in 2022 with high attendance by both Japanese residents and foreign tourists. Today it is recognized as a major festival and a source of local pride.

The Shingen-ko Festival: A Showcase of Local Culture

Compared with other Japanese festivals, Shingen-ko Festival is young. It was created on April 12, 1970 to commemorate the anni- versary of Takeda Shingen’s death. Initially a small-scale event, the festival has gained popularity thanks to its celebration of Kōfu’s culture, Shingen’s achievements and the legacy of the Takeda clan. While local residents and government officials are the primary organizers of the festival, Shingen-ko Festival has become a nation- ally recognized event. The festival attracts and captivates people with its grand historical reenactment of Takeda Shingen’s life and legacy.

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United Nations University Rector Dr. Tshilidzi Marwala

Dr. Tshilidzi Marwala, Rector of the United Nations University and Under-Secretary-General of the United Nations, stands as a towering figure in the realm of global cooperation and innovation. His life story is a testament to the transformative power of education and the boundless potential of the human spirit. Rising from humble beginnings in rural Venda, Limpopo, South Africa, he has ascended to a position of global leadership, driven by an unwavering commitment to solving the world’s most critical challenges. Dr. Marwala holds a Bachelor’s and a Master’s degree in mechanical engineering from Case Western Reserve University and the University of Pretoria, respectively. He earned his Ph.D. in artificial intelligence and engineering from the prestigious University of Cambridge. Dr. Marwala is a pioneer in harnessing the power of technology for human advancement. His illustrious career has seen him serve as Professor of Electrical Engineering at the University of the Witwatersrand, Johannesburg, and as Vice-Chancellor and Principal of the University of Johannesburg, where he boldly introduced mandatory AI and African Insights curricula for all students – shaping a new generation of globally aware and technologically competent leaders. He currently contributes his expertise as Deputy Chair of South Africa’s Presidential Commission on the Fourth Industrial Revolution and lends his wisdom as a trustee of the Nelson Mandela Foundation. Tokyo Journal Editor-in-Chief Anthony Al-Jamie delved into Dr. Marwala’s visionary mission, explored his innovative strategies for confronting global crises, and uncovered the personal narrative that propelled him from a childhood in rural South Africa to becoming a leading voice for unity and progress on the world stage, promoting education as a fundamental human right.

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Volume 46. Issue #286

Contents

Please click here for PDF file of actual Table of Contents 

   
1. Tokyo Street Editorial
Inside this issue
13. Japanese Wagyu (和牛)
Iron Chef Masaharu Morimoto (正しく理解しその美味しさを愛する)
   
2. The Making of Kazu Hiro (カズ・ヒロの軌跡)
Academy Award-winning SFX makeup artist (アカデミー賞受賞特殊メイクアップアーティスト)
14. Tokyo Hotel Reviews (東京ホテルレビュー)
Where to stay in Tokyo (東京の宿泊施設)
   
3. Shogun Producer Eriko Miyagawa (『SHOGUN 将軍』プロデューサー 宮川絵里子)
From Kill Bill to Shogun (『キル・ビル』から『将軍』まで)
15. Pulling Tradition Forward (伝統を未来に引き継ぐ)
Life as a rickshaw driver (人力車夫としての人生)
   
4. Tokyo’s Tinseltown (ハリウッド化する東京)
Hollywood turns its cameras toward Japan (ロケ地として注目を集める日本)
16. Nobel Laureate Shimon Sakaguchi (ノーベル賞受賞者 坂口志文)
Progress for autoimmune disease, allergy and cancer research (免疫疾患・アレルギー・がん研究の進展に向けて)
   
5. The Smashing Machine (『スマッシング・マシーン』)
Dwayne “The Rock” Johnson & Emily Blunt in Japan (ドウェイン・ジョンソンとエミリー・ブラントが 日本での撮影を語る)
17. Voice From Far Away (遠い彼方からの声)
Zen wind from Tasaka Juku (田坂塾の『叡智の風』)
   
6. Japan Sui Collection (Japan Sui Collection 日本粋品)
Japanese heritage, craftsmanship & contemporary creativity (日本の伝統、匠の技、現代的創造性)
18. Japan–U.S. Leadership Summit (日米リーダーシップ・サミット)
Uniting California and Japanese leaders for a sustainable future (持続可能な未来をテーマに カリフォルニアと日本のリーダーが集結)
   
7. Kasuga Wakamiya Onmatsuri (春日若宮おん祭)
Nara’s Japanese performing arts festival (奈良の芸者)
19. Redefining Education Through Neurodiversity (ニューロダイバーシティの観点から教育を見つめ直す)
Neurodiversity School in Tokyo (ニューロダイバーシティ·スクール·イン 東京)
   
8. Nara, Where Ancient and Modern Coexist (古代と現代が共存する奈良)
Encounter Japanese culture older than Kyoto (京都より古いニッポン文化に出会う)
20. Inside a Celebration for Promotion to Juryo (大相撲・十両昇進祝賀会)
A milestone in a Rikishi’s life (力士人生を切り拓いた節目)
   
9. Fine Hotels and Fine Dining in Kansai (関西の珠玉のホテル・レストラン)
Day Trips to Nara from Osaka or Kyoto (大阪・京都から奈良へ日帰り旅行)
21. J-Flicks in the USA (アメリカで見られる日本映画)
U.S. releases of Japanese Films (全米で公開中の日本発映画)
   
10. Cold Nyumen (Somen Noodle Soup) (冷やしにゅうめん(そうめんスープ))
Nara’s comfort food (奈良の癒やし飯)
22. Lone Samurai (孤高の侍)
Samurai, shipwreck and cannibals (侍、難破、そして人食い族)
   
11. Duck Ramen Recipe (和牛)
Iron Chef Masaharu Morimoto (正しく理解しその美味しさを愛する)
34. Harumo Imai: Grooving Around the Globe (晴萌:世界を舞台に 今井晴萌:世界を舞台に)
Japanese Saxophonist on funk and following her dream (夢を追い続ける日本人ファンク・サックス奏者)
   
12. Himitsu Na Yakiimo (秘蜜な焼き芋)
Secretly delicious baked sweet potatoes (密かに美味しい焼き芋)
 
   

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Photograph courtesy of DRUM TAO

We Are X Documentary is a Must See

We Are X Documentary is a Must See

Visual Kei Pioneers Go from the Center Stage to the Silver Screen

By Tokyo Journal Intern Michael Tang

We Are X is a documentary about the lives of the Japanese rock band X Japan and its leader Yoshiki. Even those who have never listened to X Japan before will leave the theater incredibly emotional and moved.

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2016 OC Japan Fair

2016 OC Japan Fair

A Japanese Cultural Experience in Southern California

By Tokyo Journal Intern Michael Tang

DSC09685 4sOn September 9th and 10th, 2016, the OC Japan Fair returned for another amazing festival showcasing Japanese culture in Orange County, California. This year’s event was located at the Phoenix Club of Anaheim. The OC Japan Fair featured an exhibit hall where vendors sold various Japanese related goods, from anime merchandise to traditional Japanese kimonos. There was an area for children to play kingyo-sukui, the fun and sometime stressful game of catching goldfish with a paper scooper.

 

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